Standing Woman
Gaston Lachaise
American Art
On View: American Art Galleries, 5th Floor, Surface Tension
Even when inspired by a particular individual, representations of the human body can acquire universal meanings. Here, Standing Woman suggests an essential female force and vitality. Beginning in 1912, Gaston Lachaise began modeling standing figures inspired by his voluptuous American lover (and wife by 1917), Isabel Nagle.
Indicative of its greater significance, Lachaise referred to his subject, in all its permutations, simply as “Woman.” Owing to its celebration of female physical abundance, critics attributed to this work and others like it a timelessness and a kinship with prehistoric representations of fertility.
MEDIUM
Bronze
DATES
1955–1956
DIMENSIONS
88 1/2 × 44 3/8 × 24 11/16 in., 660 lb. (224.8 × 112.7 × 62.7 cm, 299.37kg)
(show scale)
MARKINGS
Foundry mark stamped on back edge of base: "MODERN ART FDRY. NY."
SIGNATURE
Incised on base behind proper left foot: "G. LACHAISE"
ACCESSION NUMBER
56.69
CREDIT LINE
Frank Sherman Benson Fund, A. Augustus Healy Fund, Alfred T. White Fund, and Museum Collection Fund
PROVENANCE
By April 1956, acquired by Weyhe Gallery, New York, NY; April 11, 1956, purchased from Weyhe Gallery by the Brooklyn Museum.
Provenance FAQ
CATALOGUE DESCRIPTION
Over life-size statue of standing nude woman with exaggerated, bulbous forms and relatively small head; simplified facial features; hands on hips; contrapposto stance on rectangular base
Condition: Good
CAPTION
Gaston Lachaise (American, born France, 1882–1935). Standing Woman, 1955–1956. Bronze, 88 1/2 × 44 3/8 × 24 11/16 in., 660 lb. (224.8 × 112.7 × 62.7 cm, 299.37kg). Brooklyn Museum, Frank Sherman Benson Fund, A. Augustus Healy Fund, Alfred T. White Fund, and Museum Collection Fund, 56.69. © artist or artist's estate (Photo: Brooklyn Museum, 56.69_front_PS22.jpg)
IMAGE
front, 56.69_front_PS22.jpg. Brooklyn Museum photograph, 2024
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Courtesy of the Lachaise Foundation
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.