"Dragonfly" Lamp
Decorative Arts and Design
On View: Decorative Art, 20th-Century Decorative Arts, 4th Floor
Although Louis Comfort Tiffany also designed mosaics, ceramics, lighting, jewelry, metalwork, and interiors, he is perhaps best known for his work in glass. Tiffany, a son of the founder of the New York jewelry and silver firm Tiffany and Company, had already earned a reputation for his interiors and stained-glass windows when in 1893 he established what would become Tiffany Studios, a glass factory in Corona, Queens, with the English glassblower Arthur Nash. Together they developed a new type of blown glass that stood out for its embedded iridescent colors, metallic luster, and satiny surfaces. Tiffany named the glass Favrile, borrowing from the Old English word fabrile, referring to handwork. It was Nash, however, who invented the glass formula, which he kept a closely guarded secret—even from Tiffany himself. Tiffany Studios did not produce all the Favrile shades for their bronze lamps themselves. The studio collaborated with the New York City firm of Quezal Art Glass and Decorating Company, for example, on the lamp with lily-flower shades seen here.
Tiffany was inspired by ancient Roman and Syrian glass, which, when it was buried in the earth, had turned iridescent as it reacted to the minerals in the soil. Tiffany produced Favrile glass in a dizzying array of shapes, sizes, colors, and patterns. He considered the pieces to be works of art and actively endeavored to place them in museum collections.
Tiffany Studios also manufactured popular but expensive bronze and brilliantly colored stained-glass lamps suitable for the recently invented electric light bulb. Clara Driscoll, head of the Women’s Glass Cutting Department at Tiffany Studios, was responsible for the design of this Dragonfly lamp. During the late nineteenth and early twentieth centuries, women played increasingly important design and fabrication roles in the production of decorative arts, including ceramics, glass, and furniture.
MEDIUM
Glass, bronze, and lead
DATES
ca. 1900–1920
DIMENSIONS
18 1/4 x 14 x 14 in. (46.4 x 35.6 x 35.6 cm)
(show scale)
MARKINGS
Stamped on underside of base: "TIFFANY STUDIOS / NEW YORK / 337"
SIGNATURE
no signature
INSCRIPTIONS
no inscriptions
ACCESSION NUMBER
67.120.54
CREDIT LINE
Bequest of Laura L. Barnes
CATALOGUE DESCRIPTION
Table lamp in glass, lead, and bronze. "Dragonfly" design shade of predominantly amber and blue colors. Upper portion of shade is veined; lower portion decorated with band of dragonflies with outspread wings overlaid in pierced bronze encircling perimeter. Three light sockets on horizontally curving arms; vasiform shaft with vertical lobes; circular base with undulating ribbed surface.
"Small Dragonfly" shade: model no. 1585
"Mushroom" base: model no. 337
CONDITION: Excellent
CAPTION
Clara Wolcott Driscoll (American, 1861 – 1944). "Dragonfly" Lamp, ca. 1900–1920. Glass, bronze, and lead, 18 1/4 x 14 x 14 in. (46.4 x 35.6 x 35.6 cm). Brooklyn Museum, Bequest of Laura L. Barnes, 67.120.54. Creative Commons-BY (Photo: Brooklyn Museum, 67.120.54.jpg)
IMAGE
overall, 67.120.54.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.