Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, 60.197.8_PS1.jpg)
Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, 60.197.8_NegC_film_bw_SL4.jpg)
Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, CUR.60.197.8_wwg7.jpg)
Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, 60.197.8_negC_bw_IMLS.jpg)
Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, 60.197.8_negD_bw_IMLS.jpg)
Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, 60.197.8_negB_bw_IMLS.jpg)
Nefertiti and Her Daughter, ca. 1352–1336 B.C.E. Limestone, pigment, 8 3/4 x 1 5/16 x 17 1/2 in. (22.2 x 3.4 x 44.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 60.197.8. Creative Commons-BY (Photo: Brooklyn Museum, 60.197.8_negA_bw_IMLS.jpg)
Egyptian art made in the centuries before Akhenaten came to the throne gives few clues to the lives or feelings of members of the royal family. Artisans working in the Amarna Period, however, began representing scenes of intimacy between the king, the queen, and their six daughters. This relief, for example, shows Nefertiti kissing one of her daughters full on the lips.
The relief is also noteworthy for the evidence it provides of the violence directed at images of Nefertiti after her death. Although the princess's image has not been touched, the queen's face has been badly damaged.